Nikon Announces the Powerful D3200 DSLR Camera and NIKKOR 28mm f/1.8G Lens
April 20, 2012 by admin · Leave a Comment
New York, NY (PRWEB) April 19, 2012
B&H Photo Video is pleased to share with the photography industry the release of the latest DSLR from Nikonthe D3200 which incorporates more professional features, to meet the needs of hobbyists and enthusiast photographers.
DX-format CMOS Sensor
At the heart of the Nikon D3200 is a large Nikon DX-format CMOS image sensor utilizing 24.2 effective megapixels for taking pictures with incredible detail, as well as the freedom to enlarge the images or crop them to your preference. One can take detailed stills or HD video with exceptional color and sharpness, make beautiful enlargements and crop creatively without loss of sharpness.
EXPEED III Image Processing
Maximizes 24.2 MP sensor: producing fine tonal gradations and outstanding color accuracy.
Wide ISO range from 100 to 6400, can be set as high as ISO 12,800 lets photographers shoot under varying lighting conditions with extremely low noise.
Guide Mode In-camera guidance shows users step-by-step how to change camera settings, displays sample photos for easy understanding.
Wi-Fi Connectivity
The WU-1a is an optional wireless mobile adapter. When used with the D3200 HD-SLR camera, it allows one to take pictures and send them wirelessly to a Wi-Fi equipped smart device or remotely take pictures from your smart device.
Smooth and easy HD Video
Delivers true 1080p broadcast quality video at 30/25/24 fps or 720p at 60/50/30/25 fps. Attach the ME-1 Stereo Microphone (optional) for crystal clear stereo sound.
Nikon also announced the NIKKOR 28mm f/1.8G lens to deliver beautiful background blur in portraits, as well as sharp handheld pictures even in low-light.
Nikon AF-S NIKKOR 28mm f/1.8G
Engineered for Nikon FX-format DSLRs Optical formula optimized for use with Nikon FX-format digital SLRs, provides sharp and high contrast images and HD video from infinity to close up. Provides 42mm focal lengthequivalent when mounted on DX-format D-SLR
Fast f/1.8 prime NIKKOR lens Fast maximum aperture is ideal for shooting stills or recording HD video in low-light situations as well as for travel, landscapes and general photography.
Aspheric lens Elements Minimizes coma and other types of lens aberrations, further improving image integrity.
Nikon AF-S NIKKOR 28mm f/1.8G lens close focusing to 0.85 feet For creative perspectives and versatility
Nikon Super Integrated Coating (SIC) Enhances light transmission efficiency and offers superior color consistency and reduced flare.
Nano Crystal Coat Use of Nano Crystal Coat further reduces ghosting and interior flare across a wide range of wavelengths for even greater image clarity.
B&H Photo is currently accepting pre-orders on Nikon D3200 DSLR Camera and Nikon AF-S NIKKOR 28mm f/1.8G lens.
Read and learn more detail information about the Nikon D3200 DSLR at BH InDepth.
Connect with B&H Photo on the web! (Facebook, Twitter, Tumblr, Google+, Pinterest, Flickr, YouTube, B&H Insights & InDepth)
About B&H Photo Video
As the world’s largest source of photography, video and audio equipment, B&H Photo-Video is known worldwide for their attentive, knowledgeable sales force, and excellent customer service, including fast, reliable shipping. Visitors to the website can access a variety of enlightening articles and educational videos. B&H has been satisfying customers worldwide for over 35 years.
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X-Rites Newly Redesigned i1Pro 2 Spectrophotometer Receives Red Dot Award
April 15, 2012 by admin · Leave a Comment
Grand Rapids, MI (PRWEB) April 12, 2012
X-Rite, Incorporated (NASDAQ: XRIT), the world leader in color management, measurement and communication technologies, announces that its redesigned new i1Pro 2 spectrophotometer has received the prestigious international 2012 red dot award: product design. The new i1Pro 2 spectrophotometer is featured in X-Rites recently announced portfolio of i1 Professional Color Management Solutions.
Evaluated by an international panel of 30 judges, X-Rites new i1Pro 2 spectrophotometer was selected for this highly sought-after award among 4,515 other product design entries from around the world. Award-winning products were chosen for their innovative design quality and will be on display at the red dot design museum in Germany from July 3 – 29, 2012.
This new award-winning device can be found in X-Rites new i1Basic Pro 2, i1Photo Pro 2, i1Publish Pro 2 and i1Publish products, all featuring groundbreaking new technology and applications. The new i1Pro 2 second-generation spectrophotometer is the most accurate and forward thinking device available today accommodating three measurement modes in one single device. These modes include the most commonly used M0 (Standard Illuminant A), the emerging M1 (illuminant D50) and M2 (known as UV-cut).
X-Rite is honored to be selected for this coveted product design award for our thoughtfully redesigned i1Pro 2 spectrophotometer, said Tobias Rausch, X-Rite Product Manager, i1 Solutions. Recognized for its high quality design, the i1Pro 2 device helps deliver to color professionals around the world the workflow tools they need that incorporate ever important emerging color standards.
Professor Dr. Peter Zec, initiator and CEO of the red dot design award, said, The most distinguished products of the respective branch of industry faced up not only to the tough competition again this year, but also to the critical eye of the jury. The experts thoroughly examined, tested and evaluated each individual entry applying the highest standards. With their performances, the laureates not only demonstrated extraordinary design quality but they also showed that design is an integral part of innovative product solutions.
Built upon the success of X-Rites i1Pro spectrophotometer as the de facto industry standard for more than a decade, the newly enhanced i1Pro 2 device has been redesigned to provide an even higher level of accuracy, versatility, ergonomics, functionality and value. Combined with the recently released i1Profiler software v1.3, which accommodates all levels of proficiency and expertise, the new i1Pro 2 portfolio of four different products is specifically targeted to meet the unique needs of photo, pre-press, digital print and publishing professionals, providing exceptional value at very attractive price points.
New i1Pro 2 spectrophotometer highlights:
New illuminant design allows for 3 standard measurement conditions (ISO 13655 M0: Tungsten; ISO 13655 M1: D50; ISO 13655 M2: UV Cut) plus Optical Brightener Compensation (OBC) without changing filters or needing a second instrument.
Enhanced Optical Brightener Compensation allows for the most accurate profiling (both Tungsten and UV/LED mode) for todays enhanced range of substrates. Now users can predict what colors printed on optically brightened paper will look like under different light conditions using a single hand-held device.
Positioning Detection with Zebra Sensor provides a more robust scanning experience even on special substrates and low-resolution printers. It allows for the measurement of smaller patch sizes (as low as 7mm) in manual mode and enables dual measurement workflows for OBC, M1 and M2.
New Wizard-driven interface with status LED leads users through the profiling and calibration process while providing all the options and control desired, regardless of expertise.
New Design Ergonomics throughout allows for greater usability, flexibility, cleaning, protection, and storage of the precision i1Pro 2 device.
Improved Emissive Measurement allows for better temperature stability and higher brightness levels resulting in the best possible calibration and profiling of monitors ever.
All new diagnostics and self-correction features
Wavelength calibration LED allows for self diagnosis of optical grating in relation to sensor during white calibration (with automatic correction and notifications)
Maintaining and protecting the device (and investment) is easier than ever
Self-cleanable aperture protection glass and calibration white tile cover provides additional built-in protection from dust and dirt.
About the red dot design award
The red dot design award, whose origins reach back to the 1950s, is carried out in three disciplines: the red dot award: product design, the red dot award: communication design and the red dot award: design concept. In 2011 alone, more than 14,000 entries from over 70 countries were registered. The award the red dot has established itself internationally as one of the most appreciated quality seals for outstanding designs. For further information please visit: http://www.red-dot.de/press
Availability and Upgrades
The new i1Pro 2 Professional Color Management Solutions are immediately available from X-Rites online store (North America), and also from the companys worldwide network of resellers. i1Publish Pro 2 will also be offered with two upgrade options based on original solution purchased. For more information, please visit http://www.xrite.com or http://www.XritePhoto.com.
About X-Rite
(NASDAQ: XRIT) X-Rite is the global leader in color science and technology. The company, which now includes design industry color leader Pantone, Inc., develops, manufactures, markets and supports innovative color solutions through measurement systems, software, color standards and services. X-Rites expertise in inspiring, selecting, measuring, formulating, communicating and matching color helps users get color right the first time and every time, which translates to better quality and reduced costs. X-Rite serves a range of industries, including printing, packaging, photography, graphic design, video, automotive, paints, plastics, textiles, dental and medical. For further information, please visit http://www.xrite.com or http://www.XritePhoto.com
Registration Open For Second Annual PDN Outdoor Photo Expo
April 15, 2012 by admin · Leave a Comment
Salt Lake City, Utah (PRWEB) April 12, 2012
The Nielsen Photo Group (NPG) announced today that registration for its second annual PDN Outdoor Photo Expo (OPE) in Salt Lake City is now open. Outdoor Photo Expo is the only educational conference and trade show dedicated to outdoor photography, including adventure, landscape, nature, outdoor sports, travel and wildlife and will again coincide with the Outdoor Retailer Summer Show (August 2-5), the world’s largest expo featuring gear, apparel, equipment, technology and more that support the active outdoor lifestyle. The OPE schedule of events includes an Open Air Demo August 1st at Jordanelle State Park, with a myriad of events geared towards product previews, hands-on testing and outdoor picture taking with fellow industry advocates. A workshop is being planned for August 2nd. The OPE conference and trade show will be held at the Grand America Hotel in Salt Lake City, August 3-4, 2012
Salt Lake City and its mountainous surroundings provide the perfect backdrop for a photography show dedicated to education, technology, special events, and outdoor gatherings. This years line-up of seminars is designed to give attendees a complete photographic experience with the great outdoors.
Admission to the OPE trade show is free for those who register online in advance.
“Education remains the core of our trade shows and events and this year’s Outdoor Photo Expo will be no exception,” explains Jeff McQuilkin, Group Show Director, Nielsen Photo Group, which also owns PDN PhotoPlus Expo (PPE), and the Wedding and Portrait Photographers International (WPPI) trade shows. “Last year, Salt Lake City proved to be the perfect backdrop for an outdoor and nature photography show, and we are very excited about the activities and seminars we have this year.”
OPE Seminars
Whether you’re a professional photographer looking to learn new shooting techniques and see the latest in imaging technology, or an enthusiast who simply loves photography and want to hone your craft by learning from world renowned photographers and educators, Outdoor Photo Expo will offer an extended menu of events and opportunities for everyone.
OPE Conference seminars will be presented during three time slots on , Friday August 3rd: 8:00 to 9:45 a.m., 4:15 to 6:00 p.m., and 6:15 to 8:00 p.m., and two time slots on Saturday, August 4th: 8:00 to 9:45 a.m. and 4:15 to 6:00 p.m. Following is a description of seminars. For a full listing of seminars, and to register, please visit OutdoorPhotoExpo.com
OPE Seminar Descriptions and Schedule*
MORNING SEMINARS
Friday, August 3, 2012
8:00 to 9:45 AM
Adobe Lightroom 4 and Photoshop CS6: A Commercial Photographers Workflow
Kevin Winzeler — Sponsored by Adobe
Join Kevin Winzeler as he demonstrates his workflow and creative process to take your images to the next level. Lightroom 4 will include the Library and Develop modules with a discussion on file management; keywording, metadata; GPS tags and the power of collections. New features will also be explored including toning, presets, selective adjustments, cross processing and publishing to social media and websites. Finally, well go into Photoshop CS6 features including fill, patch and move tools, cropping, creating seamless panoramas and more.
I Want to Get Started in Wildlife Photography
Moose Peterson — Sponsored by Epson
“If you want to play with the big boys, you gotta have a 600mm,” Peterson has been quoted as saying, but don’t be alarmed. A basic DSLR and a 70-300mm or 100-400mm lens taught him all the main lessons he depends on today. Peterson shares lessons; techniques, tricks and tips you can apply to your photography to not only get started in wildlife photography, but go way beyond the boundaries of a beginner. Beginner to intermediate levels.
Storytelling + The Outdoor Photographer Athlete
Panel Discussion: Grayson Schaffer, Jimmy Chin, Michael Mauro, Rob Haggart, Scott Wilson
In the midst of an information revolution, who better to communicate to the media-obsessed masses than the outdoor athlete photographer? The industry has a long tradition of athletes who shoot, but now is the time for people with a passion for storytelling to become a brands most valuable asset. Come hear from new media pioneers, photographers and bloggers as they discuss how technology has made authentic storytelling red hot. All levels.
Photo Editing 101: What Every Photographer Needs to Know (But Probably Doesnt)
Patrick Donehue
Having the ability to effectively edit ones own imagery is a critical skill that many photographers have difficulty mastering. Enhancing this skill allows photographers to create a strong and lasting impression on the eyes of photos editors, art directors, and other viewers of photography. This seminar will address photo editing for print and digital media, and will specifically cover editing images for placement in portfolios, websites, and stock photo distribution. Donehue will show actual examples for the editing process and outline strategies by some of the worlds most successful photographers. All levels.
AFTERNOON SEMINARS
Friday, August 3, 2012
4:15 PM 6:00 PM
The Anatomy of a Multimedia Project
Corey Rich Sponsored by Adobe
Filmmaker and photographer Corey Rich will highlight his recent multimedia projects, combining video, stills and audio, shot for Nikon, The North Face and Patagonia. Discussion will cover the process, soup to nuts, detailing all that goes into developing and delivering a final video and corresponding set of photographs for a commercial or advertising client, including estimate, shooting and post-production. Behind the scenes footage will be shown to illustrate how the productions unfold. Attention will be given to media management, archiving strategies, post production and more, utilizing Adobe Photoshop, Lightroom and Premiere Pro. All levels.
Finding Photographic Genius in Your Own Backyard
Darrell Gulin — Sponsored by Canon
Often as photographers, we want to travel and photograph the world, but many times the greatest potential to create our best work is closer to home. Darrell Gulin will share images from the High Arctic to Antarctica, Holland, Turkey, Africa and Australia and explain how these images were captured. Then hell share images taken from literally his own backyard, which represent 40 percent of his sales. Butterflies, moths, feathers, flowers, birds, beetles, are only some of the subjects he captures. Gulin will explain the practice and art behind conceiving creative images. All levels.
Client Direct: Getting the Jobs You Want
Debra Weiss, Jimmy Chin
Have you ever wondered if a client/photographer relationship can be long lasting, loyal and creatively fulfilling? Join creative consultant Debra Weiss and hear from a panel of experts that includes photographer Jimmy Chin and others for a candid discussion on what it takes to create and nurture a client direct relationship that can lead to lasting productive and creative experiences for all. All levels.
Conquer Composition
Adam Barker
Composition is the rawest expression of who we are as photographers. Countless photographers hammer home the technical intricacies of creating memorable imagery, but many struggle with the simple act of arranging a scene within the photographic frame that will speak to viewers. Adam Barker will share techniques for creating three-dimensional compositions that immediately engage viewers and leave them entrenched in an image. Discussion will include concepts like utilizing zones, proper balance within the frame, giving each image a visual journey within the frame, and much more. Beginner to intermediate level.
EVENING SEMINAR&
Learning to Select Appropriate ISO Settings
August 31, 2010 by admin · 1 Comment
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All photographers, irrespective of their level of experience, know the term ISO as it is one of the essential requisites, which enables them to take effective photos in varied light conditions. As one of the three components of the exposure triangle, the ISO setting is defined as a value which represents the sensitivity of the digital camera’s image sensor. This value is expressed in form of a definite number and is inversely proportional to the amount of light meaning that the lesser the ISO value, the more is the light required and vice versa. If you take a look at the two photos below you will notice the effect that the different ISO settings have on the final outcome – the one on the left has been taken 100 ISO and the one on the right at 3200.
It is essential for a photographer to adjust the ISO value while taking a photograph in combination with the shutter speed as well as the aperture because it is this setting which determines the final outcome of the photograph. Therefore, whether it is a professional photographer trying his talents in a deep rain forest or an amateur practicing at a concert, unless the ISO setting is adjusted in accordance with the amount of light in the surroundings, one would only end up taking dark images.
While selecting an ISO setting, there are four parameters which need to be kept in mind by the photographer namely light, grain, tripod and the status of the subject. While reference to light is to inquire whether the subject is well lit, the reference to grain whether it is a finer grain, which is required along with its noisiness. Likewise, the status determines whether the subject is moving or stationary and the fourth factor pertains to the use of tripod by the photographer.
Many photographers tend to take pictures with their digital cameras set in the ‘Auto Mode’ since in this mode the camera determines its own ISO setting in accordance with the surrounding conditions. In case the individual wishes to select his own specific ISO, then it should be accompanied by a change in the aperture setting and shutter speed as well. The ISO value, which is the normally accepted norm for acquiring crisp shots with the least amount of noise and grain is 100, although it can be altered either way.
And 100 is considered to be the optimum ISO value because a value which is higher than this figure results in noisy images with more grain. Although people do not mind a bit of noise since it does not always disturb the picture, there are other demerits which are likely to occur like reduced sharpness and reduced contrast ratio. However, these are minor problems which could be overcome by opting for a more technologically advanced camera.
Certain situations that call for a higher ISO setting are indoor sports events which involve a fast moving subject in a limited light setting, concerts which also feature limited light, art galleries and churches and birthday parties. Similarly, situations which could be shot with a low ISO value are shooting a stream, taking pictures of a field on a sunny day and trying to take photographs indoors without the images being too bright.
An adept photographer is always quick to realize the importance of the ISO setting in a digital camera and hence dedicates his efforts towards getting in-depth understanding of the subject. Ultimately, mastery in this area could be acquired by practically experimenting with different ISO settings and judging their impact on the photograph.
http://www.bestdigitalcameras.me/camera/3/Learning-To-Select-Appropriate-ISO-Settings
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Manipulating Exposure in a Digital Camera
August 31, 2010 by admin · Leave a Comment
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The exposure in a digital camera is governed by three main factors namely the ISO, the aperture and the shutter speed. While the ISO is the unit which represents the digital camera sensor’s sensitivity to light, the aperture refers to the size of opening in the lens at the time of taking the picture, and finally the shutter speed indicates the length of time during which the shutter remains open. Since these factors are sacred elements of exposure, they are collectively referred to as the exposure triangle.
Since exposure determines the quality and overall outcome of the photograph, it is mandatory for all aspiring photographers to learn the basics related to it. It is undoubtedly an aspect of photography, which requires a lot of practice and the only way to acquire mastery over this technique is to keep on experimenting with the settings until one finds a perfect solution.
Acquiring the right exposure entails adjustments on three counts and this feature of photography has been aptly compared to the act of juggling. As a juggler juggles more than two objects while concentrating on all of them at the same time, a photographer is expected to be aware of the current status of all three factors in order to attain the ideal exposure for his photograph.
The interdependence of the three main determinants of exposure namely the ISO, aperture and shutter speed is a slightly difficult concept, which the novice and amateur photographers may find hard to grasp. Therefore, an easier way of explaining this relationship is by making use of the metaphor of the window with a shutter wherein the learner is asked to imagine that the camera is a window which can be opened and closed depending on the needs of the user.
With the window serving as the digital camera, if the aperture is assumed to be the size of the window, then the amount of light permitted to enter is directly proportional to its size, meaning the bigger the aperture, the more is the quantity of light coming in. Similarly, if the shutter speed indicates the duration for which the window remains open, then in this case also, the quantity of light which enters varies in direct proportion to the time for which the window is left open.
Comparatively the ISO factor is a little more difficult to understand because of its implication on the sensitivity of the camera. To make the explanation simpler, the ISO is quoted as being low when an individual within the room with an open window shields his eyes with sunglasses and high when the same individual takes off his sunglasses.
Another popular metaphor, which is used in this regard, is sunbathing wherein a parallel is drawn between the body getting exposed to the sun for getting tanned and the exposure in a digital camera. Here, the variants are quoted as being the sunscreen which determines the amount of sunlight hitting the skin as the aperture of the camera and the duration for which one is exposed to the sun as explaining the shutter speed. The sensitivity factor or the ISO in this case is indicated by the skin type of the individual as in some skin types are more sensitive as compared to others.
According to experts, the technique of manipulating the exposure is best learnt while handling a digital camera due to the choice which it offers to the photographers. Such a camera not only enables them to take photographs in normal modes like the auto mode and the manual mode, but in a couple of semi-automatic modes as well like the aperture priority mode and the shutter priority mode.
With the window serving as the digital camera, if the aperture is assumed to be the size of the window, then the amount of light permitted to enter is directly proportional to its size, meaning the bigger the aperture, the more is the quantity of light coming in. Similarly, if the shutter speed indicates the duration for which the window remains open, then in this case also, the quantity of light which enters varies in direct proportion to the time for which the window is left open.
Comparatively the ISO factor is a little more difficult to understand because of its implication on the sensitivity of the camera. To make the explanation simpler, the ISO is quoted as being low when an individual within the room with an open window shields his eyes with sunglasses and high when the same individual takes off his sunglasses.
http://www.bestdigitalcameras.me/camera/2/Manipulating-Exposure-in-a-Digital-Camera
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